Summer catch-up, part 4: crowdfunding update

It’s time to update our previous compilation of crowdfunding campaigns related to science-based music.

1. Monty Harper: Songs From The Science Frontier (July 8 to August 22, 2010).

2. Baba Brinkman: The Rap Guide to Evolution – Educational DVD (December 2010 to January 2011).

3. Greg Crowther: Sing About Science & Math (May 1-31, 2012).

4. John Boswell and Will Crowley: An Album All About Science! (July 16 to August 15, 2012).

5. Lode McCammon: Music Can Move Us (November-December, 2012).

6. Baba Brinkman: Darwin Meets Chaucer Off-Broadway (January 23 to March 24, 2013).

7. Tom McFadden: Battle Rap Histories of Epic Science (March 20 to April 16, 2013).

8. Science Notes: Science Notes Web App (April 29 to June 25, 2013).

9. Baba Brinkman: Don’t Sleep With Mean People (July-August, 2013).

10. Monty Harper: Funding a Children’s Science Song CD in 90 Days (ongoing).

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Summer catch-up, part 3

This might not be a real trend, but it sure feels like one.

Facilitating student science songwriting and performing is hard, and past efforts along these lines have seemed pretty intermittent and isolated. But a number of additional related projects have emerged this year.

I’ve previously mentioned my 6-week Music+STEM course for high school students. A couple of the products of this course were songs about DNA polymerase and proteins.

In June we got a closer look at Chris Emdin’s science education through hip-hop program, thanks to a compilation of Science Genius Rap B.A.T.T.L.E.S. finalists. (B.A.T.T.L.E.S. = Bringing Attention to Transforming, Teaching and Learning Science.)

The educational significance of these raps has been explained by Emdin in an interview smartly excerpted by Robert Gonzalez for io9.com.

Emdin: A lot of people do hip hop pedagogy [where they think] ‘kids like rap, [so] let’s rap,’ and they create raps or they perform raps and it doesn’t work. And the reason why it doesn’t work is because it’s what goes on in school already, [set] to rhyme. And that doesn’t work.

The distinction between saying something that rhymes and being a prolific MC [is that the latter] requires analogy, metaphor, drawing connections, weaving stories

Nice: And… cross references

Emdin: yeah

Nice: Which means you have to learn and know some knowledge here and some knowledge here in order to access that and bring it together.

Emdin: Absolutely. I was working with a young person once, and we get into the classroom and I want him to learn about water. So I teach him the lesson and he says ‘yeah, the lesson was alright,’ so I go ‘look, you’re a rapper… spit a rap about [water]’ and he starts rapping about everything but water. He’s like ‘I’m fly, I’m sick.” He had like one line, ‘I flow like water’ … and I’m like ‘that’s not going to work. Go home, read the text book, come back and write a new rhyme.’

And he comes back in the morning and he’s like ‘yo, it’s type hard to spit a 16 about H2O.’

Meanwhile, Tom McFadden has been staging his own science rap battles: Rosalind Franklin vs. Watson & Crick, Pluto-is-a-planet people vs. no-it’s-not people, etc. In addition to the advantages of the Emdin approach, this also focuses students’ attention on the data upon which scientific arguments (and scientific progress) are based.

Getting students to tackle actual methods and data in their songs is not easy; I know because my own course was a complete failure in this respect! Kudos to Tom for this engaging approach for highlighting the process of science.

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Summer catch-up, part 2

After a couple of months away from the database, I finally had a chance to add some new STEM songs this past weekend. Additions include new songs from the Science Genius Rap B.A.T.T.L.E.S. finalists, Tom McFadden, Larry Lesser, Scott Crawford, Neil Garg’s organic chemistry students, Symphony of Science, Russell Wodehouse, and me. And also some older songs suggested by ace correspondent Leonard Braun.

In addition, I’ve made one small change to the STEM lesson plan page. A recent NSF grant review complained, “the [SingAboutScience.org] section for lessons using science music doesn’t contain any lessons.” Presumably this reviewer failed to select a subject area (Astronomy, Biology/Life Science, Chemistry, Earth Science, General Science, Math, and/or Physics/Physical Science), resulting in no hits. To avoid this problem in the future, all subject areas are now checked by default. (Perhaps getting too many hits is less disconcerting than getting too few?)

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Summer catch-up, part 1

I’ve had a busy summer of teaching and research — hence the lack of new material at SingAboutScience.org. To start the catch-up process, here are links to a few recent STEM/music articles and posts.

Finally: An epic, original science rap that’s actually really good (io9.com)

The Music of Science: Exploring astronomy and space through music (Washington Times)

Science Rap B.A.T.T.L.E.S. Bring Hip-Hop Into The Classroom (NPR)

Epic Science Rap Battle Sets the DNA Discovery Record Straight: Rosalind Franklin vs. Watson & Crick (Scientific American)

Lowell native gives math — and music — a good rap (Lowell Sun)

Don’t Sleep With Mean People (Baba Brinkman’s crowdfunding campaign)

‘Sweet Dreams (Are Made of Chemistry)’ (UCLA Newsroom)

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Not your average handout

I love the fact that I’m teaching a course where a single page of a handout might cover both engineering of muscle tissue in vitro … and the lyrical and rhythmic structure of the 1950s hit “Hound Dog.”

dog meat

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Links: art/science conference, LinkedIn group, Hadron Big Bangers, students of Garg

Planning Meeting July 26-28, 2013
Hosted by the Symbiosis Art-Science Alliance at Warren Wilson College. (Hat tip to Jeremy Fox of Dynamic Ecology.)

Teaching Kids Science
A LinkedIn.com discussion group hosted by the Banana Slug String Band! Music-related discussion threads have included “Should junior secondary school students be referred to YouTube videos as part of science lesson learning activities?” and “What has been the best way (or one of the best ways) you’ve found to start off a science lesson? How do you ‘hook’ the kids?”

The Hadron Big Bangers: When Physics and Music Collide (Newtown Bee)
“…A strong fascination with the scientific world inspired the CD and band name. ‘What could possibly be more interesting than the reality behind everything? Not made up stories, not myths, but the actual facts: the truth of creation?’ asked Mr Rabinowitz.”

Sweet Dreams (Are Made of Chemistry)
Neil Garg’s organic chemistry students at UCLA have done it again.

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Greg’s latest science song: “Zombies Versus Trypanosomatids”

When I wrote this, I envisioned it as a loud, nasal punk rock song. My backing band for the first performance consisted solely of a banjo player, though, so we had to give it a folksier treatment. Regardless, I was happy with the result.

This was my second attempt (following last year’s Plasmodium falciparum sing-along) to interject some variety into the usual onslaught of talks and posters at the Seattle Parasitology Conference hosted by the Seattle Biomedical Research Institute.

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Seattle Science Festival 2013

My final event of the spring science outreach season took place last Saturday. I ran a booth on science music videos and also (at the invitation of NWABR’s Jeanne Chowning, who took the last photo below) led a sing-along about photosynthesis.

a sign of science

Music and Science?!

Everybody with me now: Daylight come and the plants make food.

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Links: science in pop music, music in the brain, earth science in the theatre

Thanks to colleagues Steve Korn and Becca Price for some of these!

5 Famous Songs That Prove Musicians Don’t Understand Science (cracked.com). The supposed offenders: “Promise of a New Day” by Paula Abdul, “Perfect” by Hedley, “This Kiss” by Faith Hill, “Dreams” by Fleetwood Mac, and “Save The Best for Last” by Vanessa Williams. Not all of the “mistakes” seem egregious to me, but the cartoon illustrations about each song are very cool.

Why Music Makes Our Brain Sing (New York Times). Neuroscientists Robert Zatorre and Valorie Salimpoor grapple with the question of why music is so important to us.

New Marlborough students become forces of nature for Earth-science themed play (Berkshire Eagle). “Students from New Marlborough School presented an original play with poetry and songs in a production called ‘Under Our Feet,’ presented this week in the New Marlborough Meeting House. The production, along with an exhibit of art and writing, focused on the study of Earth science. It was presented in partnership with Flying Cloud Institute, a grassroots organization that promotes science, technology, engineering and mathematics education through the arts.”

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Musical fragments, earworms, and hooks

Last Wednesday was a big day for science-based music at the University of Washington.

As the keynote speaker for NWABR’s 2013 Student Bio Expo, I led hundreds of high school students in a sing-along about Okazaki fragments. I then spent the rest of the morning at the students’ presentations of their expo projects, some of which included music. It was a great opportunity to talk directly with the students about their work. For example, I wasn’t sure whether the music video “Transgenic Salmon Shop” was intended as a celebration or an indictment of the farming of genetically engineered fish, so it was fun to chat with the video’s creators about this issue.

Congratulations to all of the expo participants and especially to the music-category winners: Craig Simpson of Shorecrest High School (1st place for “The disharmony of bipolar disorder”); Miriam Berman of Snohomish High School (2nd place for “Transgenic aminals: how genetic manipulation can change our lives for the better”); Luke Schilperoort and Andrew Kynos of Eastside Catholic High School (3rd place for “Parkinson’s Disease: Even ‘The Greatest’ can have it”); Eli Cohen of Mercer Island High School (honorable mention for “The concept of flow”); and Thomas Christensen, Robert Johnson, and Alex Stamey of Ballard High School (winner of the People’s Choice award for “Factor V Leiden”).

In the afternoon, UW medical students presented songs they had written to summarize recent parasitology lectures. Some of these were also quite good, from a parody of Miley Cyrus’ “Party in the U.S.A.” (“Giardia in the U.S.A.”) to a rap called “How’d the Hook [as in hookworms] Get in Me?”

Among the many songs I heard that day, the offering of the final medical student group, The Anastomoses, was uniquely captivating. Their song was “Worms in All the People,” a parody of the Beatles’ “Eleanor Rigby” complete with harmony vocals and a live string quartet. The lyrics cleverly review several maladies caused by parasitic worms, from Eleanor Rigby’s enterocolitis to Baby McKenzie’s pruritis ani. For me, though, the cello, violins, and viola gave the performance a musicality that transcended the medical details. I could only marvel in admiration.

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